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I have found a love experimenting with found images and bringing them together with pictures from previous projects. To see how ideas and meanings evolve as I move through my process is truly what I savor.
This summer I had the amazing opportunity to take a week long workshop at Arrowmount School of arts and crafts in Gatlinburg Tennessee, with Melissa Harshman, a master Printmaker, on alternative techniques for safer intaglio. I was able to create 3 images in 4 days, as I had the benefit to focus solely on my work, and achieved more than I ever thought possible in such a short span of time. What also made this such an inspiring and motivational experience is living within a community of people who have a shared passion for art and creativity. By talking with residential artist and fellow students about their journeys to get to where they are now, I began to identify how I can further my career path.
I want to share what I have learned from this past week and encourage others to try these methods.
Safer methods Traditional (Hazards methods)
To degrease and polish the plate: | |
-Apply whiting powder mixed with water -Clean with Soy Sauce (or can use salt with vinegar) -Vinegar bath will also remove oxidation | Comet, and similar cleaners, contain dangerous chemicals such as sodium hypochlorite, also known as bleach, which can cause serious short- and long-term side effects if inhaled |
Alternative Grounds: | |
-Baldwin’s Ink Ground ‘Big’ Provided a non-toxic alternative but also a ground which is more versatile. | Traditional etching ground contains arsenic, lead, mercury to name but a few toxic elements which can not only be breathed in through your airways but also absorbed through your skin. |
Clean Up: | |
-Vegetable oil for oil -based inks – citristrip to remove grounds | -Mineral spirits solvents – Turpentine |
Aquatint: | |
Used Zea Mays DIY Soft ground, made with soy wax and litho ink, in an air brush and her DIY stop-out to create value and depth. (Everaert, 2001) | Traditionally, the plate is dusted with finely powdered resin or asphaltum aquatint, both toxic and can produce fumes that are extremely dangerous and carcinogenic |
Lift-ground etching | |
Andrew Baldwin Coffee Lift with “Big Ground” www.youtube.com/watch?v=f4iak-CMpvw&t=12s. | Sugar lift with asphaltum based ground. |
Everaert, Marnix. “DIY SOY WAX/LITHO INK SOFT GROUND ON COPPER -.” Zea Mays Virtual World Tour , 2001.
Atb1uk, director. Andrew Baldwin Coffee Lift Demo. YouTube, YouTube, 29 May 2012, www.youtube.com/watch?v=f4iak-CMpvw&t=12s.
The Tower Fine Arts Center Gallery